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RUFUS THE WRITER

The idea is original and appealing, but the execution is less than inspiring.

“Rufus was watching a cloud shaped like a cushion turn into a cat when the idea first came to him. ‘I’m not going to have a lemonade stand this summer,’ he said. ‘I’m going to have a story stand!’ ”

Rufus runs off “to gather pencils and paper and markers,” after which an eight-panel double-page spread shows him going through the sequence of setting up a table and chair for his enterprise, carefully decorating both the table and himself. As unlikely as it may seem, when friends Millie and Walter come by and invite Rufus to go swimming with them, Rufus declines, as he has “a story stand to run.” He tells these friends that their price for a story will be a seashell from the beach. Rufus (who is Caucasian) creates a story specifically for his sister and for each of several friends of differing genders, ages, and skin tones; “payments” vary. Each simple story “by Rufus” spans two to four pages, with hand printing and colorful art. The text about Rufus is in black typeface, with artwork similar to that attributed to Rufus. The entire book—including the endpapers—is a tribute to literacy. It may appeal to bibliophiles, but its lack of action beyond reading, writing, and walking is unlikely to create any converts.

The idea is original and appealing, but the execution is less than inspiring. (Picture book. 4-7)

Pub Date: July 14, 2015

ISBN: 978-0-385-37853-6

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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