A storytelling feast for the whole family, no matter where you live.
A feast for the eyes prepared in kitchens brimming with familial love.
Three children with light-brown skin and dark brown hair join their parents (Mommy resembles the kids; Daddy’s White) on a family vacation. They drive first to West Virginia mountains filled with misty morning fog, Papaw’s coffee with cream but no sugar, and Mamaw’s vanilla wafer cookies. A few days later, they proceed to a little orange house in Florida with Spanish-speaking Abuela and Abuelo and naranjas to pick. Each set of grandparents greets the family with open arms, a welcoming kitchen, and familiar, comforting interactions that demonstrate a persistent closeness despite miles and time apart. Though the visits are short, the experiences are deep and continue to resonate throughout the long drive home. The journey is told on multiple levels across pictures and text that entice readers, like the mouthwatering portrayals of home-cooked meals prepared and served by two extended families and two cultures. Lilly’s loose yet warm illustration style, awash in a rainbow of colors and textures, captures the love in these families. A third, hybrid kitchen is revealed at home, when the family returns and mixes the journey’s experiences into a big plate of waffles to be gobbled up before bed. Various important family items are portrayed and labeled throughout the book to encourage readers to go back and find them in the story.
A storytelling feast for the whole family, no matter where you live. (Picture book. 4-7)Pub Date: Sept. 7, 2021
ISBN: 978-0-8234-4325-3
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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