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ELECTRIC CITY

Rosner offers a gentle meditation on love and loss: "Rivers, oceans, the passing of molecules back and forth, darkness into...

Rosner (Blue Nude, 2006, etc.) draws on the immigrant experience of Charles Porteus Steinmetz, the Wizard of Schenectady, as the background to a coming-of-age novel.

The novel starts off in 1919 exploring Steinmetz's work at "The Company" in Electric City (think General Electric in Schenectady) and the great scientist’s friendship with Joseph Longboat, a Mohawk. Later, the story takes up the lives of Sophie Levine, Henry Van Curler, and Martin Longboat, Joseph's grandson. Sophie’s parents escaped from Holland, their families consumed by the Holocaust. Henry, surviving scion of the region’s first settlers, copes with disconnected parents grieving the accidental death of an older son. Martin, like his grandfather, is a gentle soul attuned to nature. In 1965, the three are approaching the end of their high school years. An unlikely romance begins between Sophie and Henry. That love doesn’t shut out Martin, but he "had no idea what to offer when a girl aimed her heart away from him." Later, as the three lark about ice skating, Henry falls through the ice and drowns. Sophie and Martin each suffer differently. "Losses were the exact size of sorrows left unspoken." With deft descriptions, Rosner sketches the bustling city, on land long cherished by aboriginal culture, which grew and flourished as whites invaded and industrialized. The narrative is woven through with symbolic allusions; for instance, the characters' personal losses are mirrored by the physical decline of the once-vibrant city after bottom line–obsessed managers begin sending jobs overseas—"Electric City was being disconnected, unplugged from its own socket." Rosner’s best work, however, is developing the characters of the three young people—Henry, tentative, suppressed, dead before he had a chance to flourish; Sophie, gutted by Henry’s death, turning every energy to the study of medicine; and Martin, haunted by the oppression of his people and choosing Canada over the Vietnam draft. 

Rosner offers a gentle meditation on love and loss: "Rivers, oceans, the passing of molecules back and forth, darkness into brilliance and then gone."

Pub Date: Oct. 14, 2014

ISBN: 9781619023468

Page Count: 304

Publisher: Counterpoint

Review Posted Online: July 30, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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