by Elizabeth Rusch ; illustrated by Will Hillenbrand ‧ RELEASE DATE: March 16, 2021
A delightful blend of fact and fiction.
A little girl and a Douglas fir grow together on a Christmas tree farm.
On the day of Zee’s birth, a Douglas-fir seedling, planted by her parents, also sprouts. Zee’s parents take care of Zee and her tree, and both “[grow] bigger and stronger.” When Zee starts preschool, her tree is transplanted outdoors. As Zee makes new friends and learns the alphabet, her tree experiences new animals and changing weather. On her fourth birthday, Zee is shorter than her classmates and her tree is shorter than other trees, but that summer both have growth spurts. When Zee starts kindergarten, she “[gets] a whole new look,” and her tree is pruned into a “perfect cone shape.” And on it goes, Rusch’s gentle text describing her protagonists’ parallel growth. Zee’s education continues in first grade, and her tree learns “how to turn a branch into a new treetop.” Zee’s adult teeth grow in, and her tree sprouts new branches. During a spring and summer drought, Zee, now old enough to take part in its care, faithfully waters her parched tree, going on to mulch it in fall and screen it in winter. By Zee’s eighth birthday, her tree is old and tall enough to be a Christmas tree. Informative factual text about Douglas firs and their care accompanies each stage of Zee’s and her tree’s parallel growth while gentle, realistic illustrations, rendered in soft color washes, visually chronicle their emerging relationship. Zee and her parents present White.
A delightful blend of fact and fiction. (index, author's note, bibliography) (Picture book. 5-8)Pub Date: March 16, 2021
ISBN: 978-0-7636-9754-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Charlotte Guillain ; illustrated by Yuval Zommer ‧ RELEASE DATE: May 1, 2017
An unusual offering for the young geology nerd.
This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.
The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”
An unusual offering for the young geology nerd. (Informational picture book. 5-8)Pub Date: May 1, 2017
ISBN: 978-1-68297-136-9
Page Count: 20
Publisher: Words & Pictures
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Adam Guillain & Charlotte Guillain ; illustrated by Ali Pye
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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