by Elizabeth Silverthorne ‧ RELEASE DATE: April 20, 1993
Lackluster biography of the turn-of-the-century New England writer whose independent, unmarried women characters and ecological consciousness have stirred some contemporary interest. Silverthorne has written children's books (I, Heracles, 1978, etc.) and a bio of Marjorie Kinnan Rawlings (1988—not reviewed). Jewett (1849-1909), born and raised in small-town Maine, wrote mostly about ordinary people whose ways were being condescended to by the new influx of urban summer visitors. Success came early: a story accepted by The Atlantic before her 20th birthday. Jewett's first book appeared in 1877 from the publishing house that eventually became Houghton Mifflin and that continued to publish her work, including her best-known novel, The Country of the Pointed Firs. For more than 20 years, she divided her time between Maine and the Boston home of Annie Fields, widow of editor/publisher James Fields. ``Whether or not there was a physical dimension will no doubt continue to be a fascinating question for debate,'' writes Silverthorne, who also offers the upbeat but hardly revealing information that Jewett often shared ``ideas and feelings about every subject under the sun'' and that her head was ``filled with new experiences, unforgettably scenery, and most of all the exciting acquaintances she had made.'' As a critical biography, this effort also falls short: ``As usual, different stories in the collection appealed to different reviewers....'' What a treat to discover a woman writer who was both successful and happy. But since Jewett's life seems not to have been complicated by intrinsically compelling drama, Silverthorne's failure to capture her personality and sensibility is a fatal lack. (Photographs)
Pub Date: April 20, 1993
ISBN: 0-87951-484-1
Page Count: 252
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
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by Elizabeth Silverthorne & illustrated by Jan Davey Ellis
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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