Next book

YOU'LL ENJOY IT WHEN YOU GET THERE

THE SELECTED STORIES OF ELIZABETH TAYLOR

Sensitive souls are scrutinized with delicate English understatement.

A newly selected volume of short fiction by a much-admired but not widely known English writer showcases her subtle insights.

Taylor's (1912-1975) reputation has ebbed and flowed in both her native England and in the U.S., where recent reissues of two of her 11 novels, Angel and A Game of Hide and Seek, have helped return her to the public eye. This book of 29 stories, edited and introduced by Drabble, reflects the breadth of her creative life as well as her nuanced grasp of human interactions. The tales are often located in a finely detailed, middle-class domestic setting where the tone and minutiae are very English: gardens, glasses of sherry, village pubs, marmalade, class differences, Austen-ish wit. Frequently noting the weather, the seasons, flora and fauna, Taylor considers, usually from a female perspective, questions of marriage, isolation, love and aging. The collection opens with a novella, Hester Lilly, which charts the strains imposed on an established marriage by the arrival of the husband's young cousin. This theme of individuals struggling within an existing relationship recurs often, as in “Gravement Endommagé,” a glimpse of a couple that has survived wartime separation but is not at peace together. The title story, one of several featuring younger women outgrowing their youth, captures the exquisite discomfort of a daughter deputizing for her mother at a formal dinner. Among the most memorable is “The Letter-Writers,” a model of unarticulated intensity in which two long-term correspondents come together for the first time and fear their “eyes might meet and they would see in one another’s nakedness and total loss.”

Sensitive souls are scrutinized with delicate English understatement.

Pub Date: Sept. 16, 2014

ISBN: 978-1-59017-727-3

Page Count: 400

Publisher: New York Review Books

Review Posted Online: July 11, 2014

Kirkus Reviews Issue: Aug. 1, 2014

Next book

CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Next book

THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

Categories:
Close Quickview