by Elizabeth Wein ‧ RELEASE DATE: Jan. 22, 2019
For readers invested in military and/or feminist history, this important book soars.
In her first work of nonfiction for teens, Wein (The Last Jedi, 2017, etc.) details the complex and inspiring story of the only women combat pilots of World War II.
The “Great Patriotic War” was already under way by the time Marina Raskova—a famous, record-breaking pilot—convinced the Soviet Union to create women’s air regiments. Using photographs and primary source quotations, Wein brings these regiments of young women to life, tracing their harrowing experiences before, during, and after the war. A detailed overview of the Russian political and social landscape in the first half of the 20th century is interwoven throughout the narrative, contextualizing the Soviet Union’s involvement in World War II. Wein thoughtfully addresses her readers’ contemporary understanding of identity politics, acknowledging the homogeneity of her white (despite the ethnic diversity of the USSR), straight subjects and the ways that Soviet ideologies about gender align with or differ from the expectations of contemporary American readers. The Soviet women’s experiences are placed in context through comparisons with the roles of women pilots in the Royal Air Force and the United States military. Vivid descriptions of their personal sacrifices and the deep bonds they formed connect readers to the story. Careful footnotes provide information about unfamiliar vocabulary, and pagelong sidebars round out the history with tangential but fascinating facts.
For readers invested in military and/or feminist history, this important book soars. (source notes, bibliography) (History. 14-18)Pub Date: Jan. 22, 2019
ISBN: 978-0-06-245301-3
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 22, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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More by Sherri L. Smith
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by Adam Eli ‧ RELEASE DATE: June 2, 2020
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
by E.H. Gombrich & translated by Caroline Mustill ‧ RELEASE DATE: Oct. 11, 2005
Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a...
A lovely, lively historical survey that takes in Neanderthals, Hohenzollerns and just about everything in between.
In 1935, Viennese publisher Walter Neurath approached Gombrich, who would go on to write the canonical, bestselling Story of Art, to translate a history textbook for young readers. Gombrich volunteered that he could do better than the authors, and Neurath accepted the challenge, provided that a completed manuscript was on his desk in six weeks. This book, available in English for the first time, is the happy result. Gombrich is an engaging narrator whose explanations are charming if sometimes vague. (Take the kid-friendly definition of truffles: “Truffles,” he says, “are a very rare and special sort of mushroom.” End of lesson.) Among the subjects covered are Julius Caesar (who, Gombrich exults, was able to dictate two letters simultaneously without getting confused), Charlemagne, the American Civil War, Karl Marx, the Paris Commune and Kaiser Wilhelm. As he does, he offers mostly gentle but pointed moralizing about the past, observing, for instance, that the Spanish conquest of Mexico required courage and cunning but was “so appalling, and so shaming to us Europeans that I would rather not say anything more about it,” and urging his young readers to consider that perhaps not all factory owners were as vile as Marx portrayed them to be, even though the good owners “against their conscience and their natural instincts, often found themselves treating their workers in the same way”—which is to say, badly.
Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a fine conception and summarizing of the world’s checkered past for young and old.Pub Date: Oct. 11, 2005
ISBN: 0-300-10883-4
Page Count: 320
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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