The interconnected lives and loves of a Maine island’s summer and off-season people are explored with engaging warmth in a rather loose, baggy chronicle, from the author of numerous books for children and one previous adult novel, In My Mother’s House (1988). As the story begins, 30ish Maggie Hammond, a consultant specializing in the restoration of antique furniture, returns to the (unnamed) island to claim the old house left to her by her late godmother. Winthrop then gradually introduces Maggie’s year-round neighbors: contractor (and sheriff) Al Craven, his abused wife Anna, and their 13-year-old daughter Erin; Dennis Lacey, a newly arrived physician; Chuck Montclair, a kind of village sage who quietly observes others’ conflicts; and Sam Matera, deemed “the naturalist,” to whom Maggie is instantly attracted. The novel springs some surprises, thanks to the skill with which Winthrop shifts the viewpoint (Maggie is by no means its sole focus). But the major actions are nevertheless contrived and predictable: A nurse who sleeps around discovers, and displays, evidence of an extramarital affair; Al’s brutal treatment of Anna (and habit of slipping into Erin’s bed) produces explosive results; teenagers vandalize empty houses; and Al’s construction company, no straight-arrow, is discovered to be using inferior materials and bribing building inspectors. Winthrop does best in portraying Erin’s baffled awareness of sex—several scenes involving kids are among the book’s sharpest—but she labors too much in distinguishing “island people” from their less communal mainland counterparts (“we jump when the siren goes off and take chances when somebody’s in trouble. . . . It’s not because we’re morally upright human beings. It’s just because there’s this circle of water around us that forces us to be that way”). Add a loose-end—tying finale in which a wounded dog recovers and people get the partners they desire, and what you have is a pretty conventional melodrama after all.
Pub Date: July 8, 1998
ISBN: 0-688-15920-6
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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