A sharp exposé that does much to explain a strange, dangerous underground movement steadily emerging into daylight.
A reporter takes a gimlet-eyed look at the dangerous worlds of the deluded who gave us QAnon, right-wing extremism, and the Jan. 6, 2021, insurrection.
The black pill of CNN correspondent Reeve’s title is a trope borrowed from the Matrix film franchise to describe “a dark but gleeful nihilism: the system is corrupt, and its collapse is inevitable.” One of the author’s principal characters is a young man who, suffering from “brittle bone disease,” founded an “online forum for male virgins.” Later, he switched his energies to the site that would become 8chan. “He’d imagined that a site with unrestricted free speech would create a robust forum that would bring forth new and better ideas, but over time, 8chan became an incubator for conspiracy theories and violent ideologies, like incels, the alt-right, and later, after he left it, QAnon,” writes the author. “8chan made Fred an internet supervillain.” Reeve has her sights on numerous other villains, though, including neo-Nazi Richard Spencer, more interested in money than ideology, backed by rich and secretive old men who bankrolled a movement that got away from them. “The leaders lost control of the cult,” writes the author. “Now the cult controls the leader….The power is in mass anonymity. The racist hive mind collects a catalog of all leaders’ worst moments.” For the moment, that cult finds Donald Trump and his white nationalism useful, but perhaps only for the moment. Throughout the book, Reeve treads on controversial ground, but she does so with measured intelligence—and, as she notes, “It’s a real mindfuck for smart people to hear that many of the nazis are really smart.” Smart, perhaps, but also paranoid, conspiratorial, misogynistic, racist, often narcissistic, mendacious—and now deeply entrenched in the “respectable” conservative movement.
A sharp exposé that does much to explain a strange, dangerous underground movement steadily emerging into daylight.Pub Date: July 9, 2024
ISBN: 9781982198886
Page Count: 304
Publisher: Atria
Review Posted Online: May 24, 2024
Kirkus Reviews Issue: July 1, 2024
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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