This Dutch import’s fatuous ending falls short, but the illustrations are worth the time spent appreciating them. (Picture...
A small yellow octopus is nonplussed to return home from his daily swim to find someone else’s tale protruding from his home.
The soft and expressive illustrations done in acrylic and oil pastels by van Hout (Surprise, 2014, etc.) are the highlight of what could have been a noteworthy story about the pitfalls of jumping to conclusions. Flitting among his concerned friends, an endearingly expressive octopus searches for a solution to the very big intruder stuck in his doorway. The fishy suggestions run the gamut from “Chase him away!” to “Declare war on him.” As the story unfolds, the problem of what to do with the giant tail sticking out of Octopus’ home involves every sea creature in the neighborhood. After much deliberation, the little octopus hears whispered advice in the depths around him. “What would you do?” The sea seems to be urging him to listen to his intuition—which he does to his ultimate delight. Van Lieshout and van Os explore the extreme reactions fear and uncertainty can elicit. As is so often the case, a simple question could have prevented the escalating misunderstanding and turmoil. What makes the resolution unsatisfactory is that an entire scene seems to be missing—the reveal. One minute the friends struggle to pull out the mysterious tale à la “The Enormous Turnip,” and the next, there’s a smiling mermaid holding the besotted octopus. “ ‘Oh,’ Octopus blushed. ‘If I’d only known you were a lady! That’s different!’ ”
This Dutch import’s fatuous ending falls short, but the illustrations are worth the time spent appreciating them. (Picture book. 4-6)Pub Date: April 1, 2015
ISBN: 978-1-9359-5439-2
Page Count: 32
Publisher: Lemniscaat USA
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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