Next book

A COWARDLY WOMAN NO MORE

A shining exploration of human frailty and endurance falters when it attempts social analysis.

A 44-year-old woman comes to terms with her life while attending an annual corporate banquet.

Software analyst Trisha Donahue always relished the annual boozy parties thrown at the Rose & Emerald restaurant in central Massachusetts by the Boston company where she’s worked for eight years. But new management runs the company with a more corporate ethos, and speechifying has replaced drinking alcohol, no longer allowed, at the now unofficially mandatory banquets. Having learned that she’s been passed over for a promotion she was all but promised, Trisha is a reluctant attendee this year. Then she’s stunned, not in a good way, when management announces to the crowd that she’s the first woman “Employee of the Year.” Trisha flees within the passageways of the almost magically charming Rose & Emerald, located (perhaps too) coincidentally in the community where she grew up “on the wrong side of the tracks.” While Cooney effectively draws peripheral characters like Trisha’s privileged yet self-aware husband and her stoic, ailing boss, the only character that truly matters here is Trisha. As she struggles through this one crazy day, she reviews her evolution from a working-class girl with brains and ambition to a woman afraid to rock the status quo. The depiction of Trisha’s middle-class financial anxiety is spot-on, but Cooney lays on the sociopolitical critique with a heavy hand. Trisha so relentlessly complains about blockheaded bosses and bemoans turning “corporate” that the good reasons she’s angry become boring. The novel’s explorations of class inequality and corporate mentality seldom reach beyond the obvious, and its perspective on society’s unfair treatment of women seems dated—Trisha has no awareness of the #MeToo movement, and her thoughts on what clothes a successful woman needs, including pantyhose, feel anachronistic. But Cooney is remarkably adept at capturing minute inner crises within an individual and the imperfect but real connections between people. While the writing can be pessimistic, even cynical, neither Cooney nor her central character is afraid to look kindness in the face when it arises. No mean feat.

A shining exploration of human frailty and endurance falters when it attempts social analysis.

Pub Date: April 4, 2023

ISBN: 9781566896719

Page Count: 232

Publisher: Coffee House

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 89


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Awards & Accolades

Likes

  • Readers Vote
  • 89


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Close Quickview