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THE DARK

NEW GHOST STORIES

Top-drawer.

Original stories from a dark place, as collected by Datlow, who, with Terri Windling, edits The Year’s Best Fantasy and Horror collections.

The 16 here, about half by well-knowns and half by fresh voices, are meant to scare your pants off. That, of course, is unlikely, since fright hangs on surprise and if you know ahead. . . . Best foot forward is Jeffrey Ford’s utterly beautiful “The Trentino Kid,” which anchors its ghost in a close study of clamming in Great South Bay. If it weren’t for the occasional slippery-slimy body floating by, you’d want to get out and start clamming yourself. Joyce Carol Oates’s “Subway” is about a destiny-hungering woman with panting crimson lips and glistening mascara-ed eyes caught up in a recurring death-cycle on the subway. Gahan Wilson’s “The Dead Ghost” tells of a person waking up immobile in a hospital bed after an explosion to discover a fat, weighty, jellylike see-through body on the bed beside him and having to push his only moveable hand through the globby muck (it exhales corpse-stink) to get to the emergency button. Kathe Koja’s “Velocity” presents a sculptor whose current specialty is driving bicycles into trees. He’s the son of a vile artist, whom he calls the Prince of Darkness, who apparently burned his wife alive and later suicided by driving into a tree. Now his son is sure that Dad is crawling about the pipes of the Red House, which the son has inherited: he’s afraid to sit on the toilet and allow Dad to crawl up inside him. Ramsey Campbell’s “Feeling Remains” offers his usual marvel of domestic satire with acidic commentary on feminist strong-arming and the failed attempt to rein in a changeling who wants to burn down a house. Also on hand: Charles L. Grant, Tanith Lee, Terry Dowling, Jack Cady, Lucius Shepard, Kelly Link, Glen Hirshberg, Daniel Abraham, Stephen Gallagher, and Mike O’Driscoll.

Top-drawer.

Pub Date: Nov. 1, 2003

ISBN: 0-765-30444-9

Page Count: 384

Publisher: Tor

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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