A good joke that lost its way a bit.
What do animals eat? In question-and-answer form, the human narrator compares animal restaurant orders with her own.
This lengthy joke follows a repetitive pattern. There’s a question that includes the usual locomotive pattern and habitat of one of nine interesting creatures. A silly answer is followed by a more sensible one. “If a RATTLESNAKE slithered through a desert cafeteria, what would she choose?” Not “[b]eans and rice” but “[s]everal rodents and a lizard.” Sea turtles crawl, butterflies flutter, wallabies hop, hedgehogs “[stop] by a forest food court,” ostriches run, and octopuses swim; the animals are of both sexes. The only variation in the pattern is in the pacing. Some questions and answers occupy a spread; others include the page turn. Beginning with the spaghetti-twirling armadillo on the cover, Wood’s quirky creatures add to the humor, which might well spur listeners to make up some menus of their own. The author and illustrator have their giraffe eating from wild apricot trees rather than the acacias that are so prevalent in the giraffes’ savanna habitat. While their diet includes wild apricots and mimosa, acacias are at its core.
A good joke that lost its way a bit. (Picture book. 4-7)Pub Date: July 2, 2014
ISBN: 978-1-938063-39-8
Page Count: 32
Publisher: Scarletta Press
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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