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DON'T CALL ME A HURRICANE

Heartfelt but inconsistent.

Eliza Marino’s family, lifelong residents of New Jersey’s Long Beach Island, lost nearly everything in a devastating hurricane.

Five years later, she and her friends are on a mission to preserve their coastal marshland as a habitat for turtles and other wildlife. A lifeguard and talented surfer, Eliza, 17, remains traumatized by the storm that nearly killed her little brother. She and her friends resent the seasonal residents whose oceanfront mansions replaced the modest homes that were destroyed. Ensuring the marshland is preserved is challenging, however. Spontaneously venting their frustration, the teens vandalize a giant home under construction. For Eliza, teaching Milo Harris, a handsome, wealthy, vacationing New Yorker, to surf proves a happy distraction. However, each keeps secrets that threaten their fledgling romance. Despite one character’s referencing Indigenous activists, the text does not consider the Indigenous people displaced by the islanders’ ancestors. Eliza’s dad works in construction, and the cafe her mom co-owns depends on tourists. Such conflicts, though depicted, aren’t explored in depth and are primarily framed in an interpersonal context. The novel’s strengths are Eliza’s compelling voice—her hurricane flashbacks are mesmerizing—and the conveying of emotion; it only lightly explores the theme of youth climate change activism and issues connected to it. Most characters read as White; several secondary characters are Latinx, and one is nonbinary.

Heartfelt but inconsistent. (author’s note, resources) (Verse novel. 12-18)

Pub Date: July 19, 2022

ISBN: 978-1-5476-0916-1

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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LONG WAY DOWN

This astonishing book will generate much-needed discussion.

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  • Kirkus Reviews'
    Best Books Of 2017


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  • Newbery Honor Book

After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.

Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.

This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)

Pub Date: Oct. 17, 2017

ISBN: 978-1-4814-3825-4

Page Count: 320

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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FIFTEEN AND CHANGE

An auspicious ending may seem a bit unlikely to some, but this novel has many appealing aspects that will draw readers in.

Fifteen-year-old Zeke gets a job and becomes involved with community organizers who aim to unionize local food-service workers in this novel in verse for reluctant readers.

Zeke hates their lives in the city with Paul, his alcoholic mom’s abusive boyfriend, a hypocritical Christian, and he misses his old home in small-town Wisconsin. Spurred to action by the idea of making enough money for them to move back, he takes a job at Casa de Pizza, where he comes to understand the desperate circumstances many of his minimum-wage–earning co-workers face. Zeke keeps the job secret, fearing Paul will try to steal his earnings. Pagelong free-verse poems evocatively describe Zeke’s experiences and quickly propel the story forward. The dynamics between the employees at Casa de Pizza (Zeke and several others are white, Timothy is black, Hannah is originally from Oaxaca) will be recognizable to teens who’ve worked in food service. Readers will easily sympathize with the all-too-true-to-life situations with which the characters are coping—racism and sexual harassment, Zeke’s awful home life, and a co-worker’s eviction with her children among them. Though short, this story develops the characters’ personalities, sketches in the history of the labor movement, and includes a subdued romantic subplot, effectively balancing these various elements.

An auspicious ending may seem a bit unlikely to some, but this novel has many appealing aspects that will draw readers in. (Fiction. 12-18)

Pub Date: Oct. 1, 2018

ISBN: 978-1-5383-8260-8

Page Count: 202

Publisher: West 44 Books

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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