by Ellen Levine & illustrated by Jon Van Zyle ‧ RELEASE DATE: March 13, 2012
This gentle and moving portrait of animal rehabilitation stands out for its unusual, animal-centric point of view.
A baby sea otter tells the story of his rehabilitation after a storm separates him from his mother.
Lifted and examined in a place of strange smells, the little otter gradually relaxes into the care of humans. After he being fed from a bottle, he is placed in a gently moving pool that rocks him to sleep. Within several days, he meets his new mother. This adoptive mom teaches the baby the skills he will need in order to feed himself. Ending with his ocean release, readers leave him tethered in seaweed and fast asleep among a group of other otters. Backmatter includes a list of Web and print resources, as well as a final note that serves to fill in the human side of the baby otter’s rescue. This fascinating note describes the Monteray Bay Aquarium’s stranded–sea otter program and how it has changed and improved based on the research scientists have done on the animals already released. As does the text, Van Zyle’s acrylics keep the point of view with the baby otter. He is large and central to the illustrations, while the humans are reduced to either onlookers or purple latex gloves. It's a shame the science described in the author's note was not more incorporated into the text, but that is a small quibble.
This gentle and moving portrait of animal rehabilitation stands out for its unusual, animal-centric point of view. (Picture book. 4-8)Pub Date: March 13, 2012
ISBN: 978-0-8027-9808-4
Page Count: 32
Publisher: Walker
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Christopher Denise ; illustrated by Christopher Denise ‧ RELEASE DATE: March 15, 2022
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.
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A young owl achieves his grand ambition.
Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)Pub Date: March 15, 2022
ISBN: 978-0-316-31062-8
Page Count: 48
Publisher: Christy Ottaviano Books
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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