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WHAT WAS THE TURNING POINT OF THE CIVIL WAR?

ALFRED WAUD GOES TO GETTYSBURG

From the Who HQ Graphic Novels series

A nuanced piece of history told simply and well.

This latest in the series illustrates a small slice of the Civil War.

When Gen. Robert E. Lee's Confederate Army of Northern Virginia met Union Gen. George Meade's Army of the Potomac outside the small Pennsylvania town of Gettysburg, the bloody battle raged for several days but ended in the Union's first big victory. Crenshaw tells the story primarily from the Union point of view, with Meade as a central character and "special artist" Alfred Waud as the protagonist. Waud followed the soldiers and drew images of the battles, including what is likely the only known eyewitness depiction of Pickett's Charge. The graphic novel format works well for the story except that it's hard to distinguish the individual Union soldiers, all dressed in blue and remarkably similar. The battlefield images convey destruction and loss without graphic horror and end on a note of hope with Abraham Lincoln's Gettysburg Address. Though all the soldiers at Gettysburg appear to be White, the story includes Black war journalist Thomas Morris Chester and discusses White supremacy and the spread of the deliberate false history of the Lost Cause.

A nuanced piece of history told simply and well. (timeline, bibliography) (Graphic history. 7-12)

Pub Date: May 31, 2022

ISBN: 978-0-593-22517-2

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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IF YOU LIVED DURING THE PLIMOTH THANKSGIVING

Essential.

A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”

Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)

Essential. (Nonfiction. 8-12)

Pub Date: Nov. 2, 2021

ISBN: 978-1-338-72637-4

Page Count: 96

Publisher: Scholastic Nonfiction

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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OIL

Like oil itself, this is a book that needs to be handled with special care.

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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