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SOME SNOW IS…

A perceptive, three-season–ish celebration of snow perfect for a snuggly read.

Snow. Can’t wait for it to appear. Can’t wait for it to disappear.

From the first hopeful glimpse of what might be the First Snow to an impatient farewell to lingering Spring Snow, Yeomans captures the ever changing nuances of the frozen precipitation and how children interact with it. A simple, repetitive rhyme scheme (all but the fourth line of each verse ends with “snow,” and fourth-line pairs rhyme) is soothing and rhythmic, but precise verbs and adjectives make the story shine. “Arms fly up and down snow. / Legs sweep along the ground snow. / Move and flop again snow, / a flock of angels sings.” Joyful neighborhood children of diverse races and their equally exuberant pet dogs build snow forts and stage snowball battles, create snow tunnels and slides after shoveling out, and even enjoy “the best snow is Snow Day Snow. / Can’t go out in that snow. / Too much coming down snow, / a world of swirling white.” (Look for the snoozing Snow Day dogs.) Realistic illustrations are done in pen, ink, and watercolor with digital touches and are a bit reminiscent of Trina Schart Hyman’s work. Scenes morph from fall through winter to spring and incorporate snow from soft flurries to blinding blizzards.

A perceptive, three-season–ish celebration of snow perfect for a snuggly read. (Picture book. 3-6)

Pub Date: Nov. 5, 2019

ISBN: 978-0-399-54754-6

Page Count: 32

Publisher: Putnam

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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