A marvelous portrayal of the humor and uncertainty surrounding growth—and the comfort in having a fellow traveler.
This Duck (a confident female) and That Duck (a trepidatious male) enjoy each other’s companionship in the “wadey-water” until discovering a wider world makes the extrovert wish for more friends.
This Duck yearns to lead a “more ducky” line when they move about, prompting her to wish for Other Ducks. Yeomans’ language is a delightful combination of the childlike and the existential. When questioned about the meaning of “Other Ducks,” she replies, “Like us, only not us.” Sheban’s soft, textured compositions are rendered in watercolor, colored pencil, and graphite; they start out sunny, with warm greens and yellows in the foreground and cool lavender shadows and shapes on the horizon. The lighting and mood change with the seasons and situations. As they explore, This Duck, who is observant but not always accurate, speaks to her mate in ways that will remind adults of an old married couple. Their misunderstandings and postures are humorous, as when they see their reflections and attempt to coax their new liquid companions into line. Nature’s pull leads the pair to follow their autumnal instincts—learning to fly and falling into formation with others of their kind. While that experience is exhilarating, it pales in comparison to the feeling next summer when four adorable ducklings bring up the rear.
A marvelous portrayal of the humor and uncertainty surrounding growth—and the comfort in having a fellow traveler. (Picture book. 4-6)Pub Date: May 1, 2018
ISBN: 978-1-62672-502-7
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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