Nevertheless, next to such artful treatments as The Carrot Seed and And Then It’s Spring, by Julie Fogliano and illustrated...
A verbal and visual tone poem involving a seed, a wish and time.
A text afflicted with grammatical ambiguity (“If you hold a seed / And make a wish, / And plant it in the ground…”) and an unlikely claim that “When autumn comes again, / [The tree] will lean into the wind” chronicles the growth of a tree. With it, the book follows the boy who plants it over years and seasons until he sits, an adult, on one of its branches to show another seed in turn to a child. The seeds depicted are just generic blobs, and despite recognizable birds and butterflies in MacKay’s paper-collage scenes, her pervasive use of extremely soft focus backgrounds and slow shifts of hue set aside specific depictions of natural detail in favor of a dreamy, abstract evocation of time’s passage. Likewise, except for some of the animals, her figures look down, away or off to the side, which will have the effect of distancing viewers—younger ones, at least. MacKay’s debut could have used better writing, but artistically, she does show unusual sensitivity to effects of color and light.
Nevertheless, next to such artful treatments as The Carrot Seed and And Then It’s Spring, by Julie Fogliano and illustrated by Erin E. Stead (2012), it pretty much defines “additional purchase.” (Picture book. 6-8)Pub Date: Feb. 5, 2013
ISBN: 978-0-7624-4721-3
Page Count: 32
Publisher: Running Press
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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