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THE TALLEST TREE HOUSE

Sweetly offers essential, timely lessons about aligning with those different from oneself.

Mip and Pip, two woodland fairies of drastically different dispositions, hold a contest to see which of them can build “the best tree house by sundown.”

The sprites’ physical and temperamental differences propel this familiar grasshopper-ant–style story. Mip sings loudly, has a flamboyant, flouncy mushroom cap on her pate, and spirits quickly about the forest looking for action. Pip reads architecture books quietly by himself, has an elongated green bud extending elegantly from his head, and deliberately plans. Yet they’re unquestionably best friends. Thought clouds show just how differently the friends think: Mip dreams up a colorful treehouse towering with turrets and flapping flags, while Pip pictures cornices and cupolas sketched out meticulously under typeset headers. When Mip’s overreaching, slapdash treehouse predictably teeters and falls, a timeless moral shines through the wreckage: Thoughtful planning and diligence pay off. Lesser stories stop here, but these fairies persevere together, connecting the remains of Mip’s house with Pip’s to make an astounding treehouse that combines both their visions. Young readers glean that antithetical personalities can work beautifully together and that contrapuntal viewpoints can produce an amazing synthesis. MacKay’s backlit dioramas, suffused with watery colors, glow gauzily. Moss greens and dawn pinks conjure the light-skinned fairies’ forest, a place that feels both familiar and faraway. 

Sweetly offers essential, timely lessons about aligning with those different from oneself. (Picture book. 4-8)

Pub Date: April 23, 2019

ISBN: 978-0-7624-6299-5

Page Count: 32

Publisher: Running Press Kids

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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