by Emily Arnold McCully & illustrated by Emily Arnold McCully ‧ RELEASE DATE: Oct. 6, 2008
In this incredible true story, a poor Japanese boy, through fate and enterprise, bridges the cultural gap between Japan and America at a time when Japan was isolated from the world. In 1841, 14-year-old Manjiro and four other fishermen became castaways on a desert island for six months until rescued by an American whaling ship. The resourceful, adaptable Manjiro soon became Captain Whitfield’s favorite, eventually returning to Fairhaven, Mass., where Whitfield educated and mentored him. Initially regarded as a foreigner, the enterprising Manjiro became a popular, respected member of the community, but never forgot his family in Japan. He subsequently worked on a whaling ship and in the California gold rush to save enough money to return to his native land, where he was instrumental in teaching Japan about America. The historically rich text and the realistic watercolor illustrations capture Manjiro’s life and times—both in Japan and New England—making this a first-rate introduction to a relatively unknown young figure in Japanese-American relations. (author’s note, map, bibliography) (Picture book/biography. 7-11)
Pub Date: Oct. 6, 2008
ISBN: 978-0-374-34792-5
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Chris Barton ; illustrated by Chaaya Prabhat
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by Chris Barton ; illustrated by Steffi Walthall
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by Willie Nelson & Bobbie Nelson with Chris Barton ; illustrated by Kyung Eun Han
by April Jones Prince & illustrated by François Roca ‧ RELEASE DATE: Sept. 26, 2005
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by April Jones Prince ; illustrated by Christine Davenier
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by April Jones Prince ; illustrated by Bob Kolar
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