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MIRETTE ON THE HIGH WIRE

Intense colors, strong contrasts of light and shadow, and artistes and dandies straight out of Toulouse-Lautrec convey the...

Inspired by the exploits of the daredevil Blondin, an exotic, suspenseful story about the affection and loyalty between teacher and protégé: Mirette learns tightrope-walking from Monsieur Bellini, a famous wirewalker who has lost his nerve and is staying in her mother's Parisian boardinghouse because he can no longer perform.

For Mirette's sake, Bellini plans a comeback—a walk across a square from one high rooftop to another—but he freezes on the wire until Mirette dashes up to the opposite roof and walks out to meet him.

Intense colors, strong contrasts of light and shadow, and artistes and dandies straight out of Toulouse-Lautrec convey the atmosphere of Paris in la belle époque—a real departure in style and subject matter from McCully's mouse-family adventures. (Picture book. 5-9)

Pub Date: Oct. 21, 1992

ISBN: 0-399-22130-1

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1992

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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HOW I BECAME A PIRATE

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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