Alas for sequelitis, which so often produces watered-down offspring from even the most venerable parentage! When the great aerialist and his carrot-topped young partner cap off their European tour with a performance in St. Petersburg, Mirette comments on all the impoverished peasants; Bellini, with the encouragement of some friends, assures the crowd that they will one day be free. The czar's soldiers arrest him. The next night, having conveniently located Bellini's cell window, Mirette walks a wire (shot by a handy crossbow) in darkness and hands him a hacksaw. A page later they're in Paris. While McCully informs her figures and turn-of-the-century locales with the same grace and vigor that earned Mirette on the High Wire (1991) its Caldecott Medal, small vignette illustrations on two spreads seem, confusingly, suspended in midair; in the arrest scene, Mirette's costume is slightly different in scenes on the wire, platform, and ground. Combined with the agenda-laden, drastically abbreviated plotline, such bobbles, though minor, ground this follow-up. (Picture book. 6-9)
Pub Date: April 14, 1997
ISBN: 0-399-22636-2
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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