by Emily Gravett illustrated by Emily Gravett ‧ RELEASE DATE: April 16, 2013
Gravett, that master of the metafictive die cut, returns for a savvy bedtime satire.
It’s time for this little green dragon’s bedtime story. Clutching a blankie, it snuggles up to its parent dragon for the story of fierce Cedric the red dragon, who wreaks havoc every night. “Again?” pleads the little dragon, holding up the red, clothbound storybook (readers who remove the paper jacket will see that it’s exactly the book that they are holding). The patient parent reads it again, with a little editorial revision: “At nighttime when Cedric SHOULD be asleep….” And again: “Cedric the dragon’s a big sleepyhead. / He’s decided it’s time / HE WAS REALLY IN BED.” With each iteration, the storybook’s illustration changes, and Cedric transforms from a fire-breathing terror to a princess-kissing softie. At the fourth, parent dragon conks out, the ZZZs from its snoring mingling with the few letters on the storybook’s page. Enraged, the little green dragon begins to turn red, shouting, “AGAIN! AGAIN! AGAIN!” Fully red after several futile repetitions, it puts some firepower behind its final “AGAIN,” burning a hole through the last page and back cover. The storybook characters escape, luckily (and, though unseen, so does parent dragon, human parents will no doubt note). This little bit of bedtime foolery feels a little incomplete, but it should strike a chord—and it’s far wittier than the similarly themed Go the Fuck to Sleep. (Picture book. 3-6)
Pub Date: April 16, 2013
ISBN: 978-1-4424-5231-2
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: March 29, 2013
Kirkus Reviews Issue: April 15, 2013
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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