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WOLVES

With a nod to David Wiesner’s classic, The Three Pigs (2001), newcomer Gravett creates a postmodern story that can easily be enjoyed by a less sophisticated audience. A rabbit checks out a book of information on wolves from the library. As he reads, absorbed, he fails to notice a wolf stepping out of the book, ever larger and more menacing. Wolves “have bushy tails,” reads Rabbit, while trodding unaware on the wolf’s tail. The wolf creeps up on the feckless bunny until Rabbit comes upon the information that wolves eat rabbits! The rabbit is bug-eyed with alarm, while the consummate page-turn reveals the library book clawed to shreds . . . the rabbit gone. Never fear, delicate readers, there is an alternate ending in which the rabbit and the wolf, who is a vegetarian, share a sandwich. Like many postmodern picture books, the mixed-media illustrations call attention to the book itself, and establish an ironic relationship between the deadpan text and the endearingly expressive rabbit stalked by the slavering wolf. Brilliant fun. (Picture book. 5-8)

Pub Date: Aug. 1, 2006

ISBN: 1-4169-1491-9

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2006

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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