Greenberg’s short-story collection invites readers to reconsider their perspectives on seemingly familiar topics, including politics and interpersonal relationships.
This author shows an interest in experimental storytelling from the first, titular work: which details a politically charged conflict over the course of a nearly 12-page-long sentence that begins, “Maybe the two silver-haired, tuxedo-clad men were not really about to fight, Kellyanne thought….” Other tales play with structure, too: “Black Box” details the life of an unconventional character as he investigates his own goals and relationship along with what it means to be human. This story begins with a list of definitions that serves a dual purpose, first preparing the reader for a potentially unfamiliar environment, and setting a tone of clinical detachment. In “Tonight Show,” the author presents a speculative version of President George W. Bush’s childhood, bookended by an interview on an evening talk show; the story effectively navigates how public and private opinions intersect. These fictionalizations investigate their real-world counterparts with a surprising amount of humanity and complexity, and the prose reveals the author’s attention to craft. One striking example is in “The Author and The Heiress,” in which Greenberg writes of a character handling books: “She picked up a few, then tossed them on the floor one by one like she was a child again, trying on her mother’s perfumes in front of the armoire, humming her own invented melodies in the cavernous silence. Jasmine or lavender, orange blossom or coconut. And who would she be today?”
A bold and often eerie set of tales that skillfully explore life’s what-if complexities.