by Emily Jenkins ; illustrated by Hyewon Yum ‧ RELEASE DATE: Aug. 11, 2015
Jenkins and Yum perfectly portray the anxiety and false bravado of this delightful cast of characters who ultimately find...
With the help of his two dogs, a boy attempts to tackle his fears—both imagined and real.
Opening the book is a list of four scary things: monsters, ghosts, witches, and trolls. At first the boy doesn’t want to reveal them to his dogs, a pug and a bull terrier. “Can’t tell you. It’s too much terror.” But the bull terrier persists, and the two discuss each creature’s scariness quotient. This hilarious back-and-forth conversation occurs in dialogue bubbles as the quizzical pug looks on. The boy then turns to scary “stuff that definitely exists,” such as his nasty cousin, the bossy crossing guard, big growling dogs, and swimming pools that might have sharks in them. The terrier breezily brushes away each fear until the boy mentions the dark. “Okay,” says the terrier. “Now that’s a little scary.” As the boy says, “Nameless evil could be lurking” there. The page turn reveals the boy and both dogs on a pitch-black spread with only eyeballs and dialogue to convey the heightened fear they are experiencing. The boy’s solution is obvious but feels absolutely perfect given the scenario. Readers and their grown-ups will howl with laughter at the dry humor and the detailed illustrations that capture every eye roll and skeptical sideways glance.
Jenkins and Yum perfectly portray the anxiety and false bravado of this delightful cast of characters who ultimately find fun in the scary stuff. (Picture book. 4-8)Pub Date: Aug. 11, 2015
ISBN: 978-0-374-30000-5
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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