Gentle, inspiring, and important.
With nurturing from Mama, a young child gradually learns to love swimming.
Strapped to Mama’s chest, an infant is initially frightened by the water: “When I first saw the big blue sea / I was scared and confused. / It crashed so loud and spread so wide. / It made me feel small inside.” Subsequent trips to other bodies of water as the child grows older are conveyed through simple rhythmic text. The young narrator considers the attributes of a deep, “quiet lake” and a river with “water rushing by” and mulls venturing into the water, each time opting to go in...next time. Encouraging words, plenty of patience, and an imaginative journey through “watery worlds,” experienced from the comfort of Mama's arms, lay the foundation for the protagonist’s eventual decision to dive into a swimming pool. Illustrations hand drawn in ink and painted using watercolors contribute to the nurturing feel of the text. Both the mother and child, whose gender is not identified, are depicted with dark brown skin and tightly curled black hair. Translated from Swedish, the story offers a model for parents looking to quell children’s fears, support their dreams, and allow them room to grow. Given that many swimming pools have historically excluded African American communities and that Black children face an elevated risk of drowning, a narrative that spotlights a Black family reveling in the water is especially welcome. (This book was reviewed digitally.)
Gentle, inspiring, and important. (Picture book. 3-5)Pub Date: Aug. 1, 2023
ISBN: 9781782508298
Page Count: 32
Publisher: Floris
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
PERSPECTIVES
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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