by Emily Kilgore ; illustrated by Kitty Moss ‧ RELEASE DATE: Nov. 1, 2022
Marvelously enchanting.
A long-held holiday tradition centered on the written word.
As winter settles across a beautiful land, people prepare for the tradition of gifting books on Christmas Eve. They pore over bulletins and bookstore shelves to plan the perfect choices for family and friends. Scenes of holiday cheer and tight-knit community abound as the day approaches. Then, people stream into the bookshop to make their long-awaited purchases. A young brown-skinned child even makes a last-minute discovery, having found the perfect book “to bring loved ones joy.” Everyone heads home for a celebration among festive decorations, sparkling lights, sumptuous food, and many loving hugs. After, they all settle in for “the best part of all”—cozy snuggles by the hearth with hot chocolate and hours of reading their new treasures. Kilgore depicts the Icelandic tradition of Jólabókaflóðið, or “Christmas Book Flood,” in loving, magical terms (more historical information is provided in an author’s note). The art adds old-world charm while leading the narrative through blue-tinted winter nights and warm, homey interiors. Moss’ lovely, heavily saturated colors seem to evoke old Currier and Ives prints with their detail to scenic landscapes, while collaged images of newsprintlike pages add texture and fun. These captivating illustrations depict a family of four (one parent and two children are brown-skinned; one parent is light-skinned) as the story’s focus among a racially diverse country town. (This book was reviewed digitally.)
Marvelously enchanting. (Picture book. 4-8)Pub Date: Nov. 1, 2022
ISBN: 978-0-374-38899-7
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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