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AN EXCELLENT CHOICE

PANIC AND JOY ON MY SOLO PATH TO MOTHERHOOD

A disarming and casually hilarious take on the opposite of co-parenting.

A fertility memoir with a whiff of Tristram Shandy.

British journalist Brockes (She Left Me the Gun: My Mother’s Life Before Me, 2013, etc.) recounts the process by which she and “L” decided to bear children as single, working mothers in a nontraditional but loving relationship. The author spent her 20s in the grip of an all-consuming dream job: writing for the Guardian. The sudden breakup of a three-way work marriage (one of her best friends fell pregnant) propelled her all the way to New York and onto the path toward having not just one baby, but twins, all by herself. Her eccentric narrative hazes over the challenges of same-sex parenting to focus on the fertility industry and the alternative structure that she and L created to make up for their hopeless incompatibility as live-in partners. They found matching apartments on different floors of the same Upper West Side high rise, which enabled them to bring the kids together regularly, but each woman parented her own children to suit herself. Brockes plays up the contrast in fertility treatment styles between England and the U.S., but while she extols the stolidity and sensibility of her national health care birthright, she can’t help but glory in the comparatively free-wheeling American market for intrauterine insemination and in vitro fertilization as one more indication that her adopted country is the “place where the future happens first.” Her quirky, neurotic intensity pairs well with the brisk pace she has crafted after so many years writing to deadlines, and she holds little back. The book speaks to a growing contingent of would-be parents who reach their 30s and 40s and find they have the means and motivation to have kids outside of a conventional domestic partnership, embracing their chosen single parenthood as a form of empowerment. It seems as if almost everyone bearing a child is writing a book about it, but Brockes is too original a personality to fall in quietly with the rest.

A disarming and casually hilarious take on the opposite of co-parenting.

Pub Date: June 26, 2018

ISBN: 978-1-59420-663-4

Page Count: 304

Publisher: Penguin Press

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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