by Emma Carlson Berne ; illustrated by Giovanni Abeille ‧ RELEASE DATE: April 4, 2023
An inspiring portrait of a woman committed to making a difference and whose influence is still felt to this day.
One powerful voice can effect powerful change.
Polish Jewish immigrant Rose Schneiderman was 8 when she arrived in New York City with her parents in the late 19th century. Even as a child, she loved talking and arguing about ideas. At age 13, she left school to help support her family, finding employment in a hat factory. In early-20th-century New York, this meant buying her own sewing machine and enduring long hours in dirty, unsafe, and unfair working conditions. Having kept silent for fear of losing her much-needed job, Rose finally spoke up upon learning women earned less than men; organizing female co-workers to protest as a group was key, and some conditions improved, including wage increases. This victory of sorts eventually led to others. In 1909, Rose led a massive strike for factory workers’ rights. As time went on, more employees, employers, then journalists and politicians heeded this woman of small stature (only 4-foot-9) and big voice, and factory conditions continued to improve, particularly after her rousing address at New York’s Metropolitan Opera House. This is a quiet, respectful, stirring look at a courageous workers’ rights champion, written in straightforward, accessible prose. The simple illustrations are cast mostly in brown shades, reflecting the somberness of poverty and dire labor practices. (This book was reviewed digitally.)
An inspiring portrait of a woman committed to making a difference and whose influence is still felt to this day. (more about Rose Schneiderman, author's note) (Picture-book biography. 5-8)Pub Date: April 4, 2023
ISBN: 9781681156170
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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