Carroll is becoming well-known in her native England; this book should win her American fans. (Fiction. 10-16)
A modern Gothic tale of fairies, fractured families, and healing.
Fifteen-year-old Alice's younger brother, Theo, will die without a heart transplant. Alice's never-married parents split just before Theo became ill, and her father has become distant, seemingly unconcerned about his son and unavailable to help them. When a heart is found, Alice's mother thrusts her into the care of her paternal grandmother, Nell, a strange, terse woman Alice doesn't remember. Nell lives alone outside a small English village in Darkling Wood, three acres of ancient trees she plans to cut down, but the townspeople are against the wood’s leveling. Then Alice encounters a girl her own age, Flo, who implores her to intervene: Darkling Wood is home to the fairies. Alice is a pragmatic, modern girl, but Flo insists that if Alice can truly believe in the fairies, then the wood—and, somehow, Theo, who is suffering complications—will survive. Interspersed through Alice's present-tense narration are letters from a young girl to her brother fighting in World War I. A great deal of family tragedy unfolds with gentle realism. Neither Alice nor Nell is a sentimental character. Both white, they’re beautifully drawn, and the pragmatic prose and completely modern language (except for the letters) ground the story. The fairies aren't covered in pixie dust here.
Carroll is becoming well-known in her native England; this book should win her American fans. (Fiction. 10-16)Pub Date: March 14, 2017
ISBN: 978-0-399-55601-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
An epic fantasy with timeless themes and unforgettable characters.
Two young people save the world and all the magic in it in this series opener.
When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.
An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)Pub Date: Sept. 10, 2024
ISBN: 9780593809860
Page Count: 368
Publisher: Knopf
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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