by Emma Chichester Clark ; illustrated by Emma Chichester Clark ‧ RELEASE DATE: March 1, 2023
A sweet tale of a beloved bear defeating the tyranny of others’ expectations.
Staunch friends support a sensitive bibliophile bruin.
Clementine and her mother—both light-skinned—cherish their pal George, a well-meaning, oblivious, klutzy ursine who in Bears Don’t Read (2015) fed his love of literature. One day while Clementine is at school and her mother’s at work, George runs out of reading material and bravely decides to stroll to the town library. Failing to notice fellow pedestrians’ terrified reactions, he is mystified (“Bother!”) when he finds the library—and every shop—immediately closed. Naturally, he heads for the lively market square. Chaos ensues, and George slips and falls into the central fountain. The crowd hoots. George frets that the book is spoiled, worries that they’re laughing at him, and berates himself as “hopeless and clumsy.” When Clementine runs to comfort him, George bursts into tears. The small girl stands up for her friend, telling the throng that they have hurt his feelings: No one is too big to cry. Suddenly self-conscious, the townspeople feel “really, truly sorry.” George gets a towel, a hankie, apologies, and a new library book. The illustrations, full of colorful patterns, depict diverse humans. Clever type design makes for easy reading, while lots of pictorial action adds drama to this tale that gently reminds readers not to judge by outward appearances. (This book was reviewed digitally.)
A sweet tale of a beloved bear defeating the tyranny of others’ expectations. (Picture book. 4-8)Pub Date: March 1, 2023
ISBN: 9781684645145
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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