The sentiments are certainly sweet, but this vein may be just about played out.
Another in Dodd’s series of diminutive picture books that celebrate the loving bond between an adult and a child.
On the cover are the two characters, a wolf and a cub (their very stylized outlines could also be huskies or malamutes). The narrative voice is that of a parent or caregiver, and it relates, in rhyme, how the child was wished for and how much the narrator wants only good things for the small one. The adult longs to teach and to share and is even delighted by the knowledge that the little one will grow up and away and will eventually teach the parent. The soft-edged illustrations are stylized and simple, primarily in black, gray, white, and blue, liberally splashed with silver foil. The two wolves gambol in the leafy or snowy woods, and the last wish given is that all the cub’s wishes come true. The book’s small, square size makes it nice to hold, and the illustrations allow room for imagination, but the rhyme is thick and clunky: “Side by side, we’ll walk the world. / We’ll make a super team! // And troubles shared are never / quite as bad as they first seem.” Happy, which publishes simultaneously, is done in browns and oranges and gold foil, with an adult owl and an owlet, and the same kind of heavy rhyme with a few more clichés.
The sentiments are certainly sweet, but this vein may be just about played out. (Picture book. 4-6)Pub Date: Dec. 8, 2015
ISBN: 978-0-7636-8009-1
Page Count: 24
Publisher: Nosy Crow
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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