An affirming story that feels like a warm hug from a beloved relative.
A Latine child has a tía problem.
Martina loves her tías—salsa dancer Tía Susana, flashy fashionista Tía Leonor, and loud, laughing Tía Alberta—but her aunts give her a headache when they’re around! Dreading another boisterous visit from them, Martina slips away during a party to the corner bodega. She buys a flower with a found coin and heads back to her apartment. While sniffing a big pot of guava, she plunges headlong inside and is transported to a jungle, where she interviews potential animal playmates—all of whom are too loud for her head to bear. Finally, she befriends a quiet mouse, and they bond over a love of imaginary adventures and hushed voices. As darkness falls, the fun fades, loneliness creeps in, and—in a scene reminiscent of Max returning from the land of the Wild Things—Martina reemerges in her kitchen surrounded by tías who can’t wait to hear her story. In this sweet homage to the Caribbean folktale “La Cucaracha Martina,” a young girl comes to cherish familial love. Colorful, digitally rendered illustrations have a three-dimensional, collage feel, exuding warmth and light and capturing a child’s world of imagination. Readers who prefer quiet contemplation to rowdy celebrations will feel kinship with Martina. Though the child needs some alone time, she’s always clearly an integral part of her family—a much-needed message that comes through loudly (but not too loudly!). (This book was reviewed digitally.)
An affirming story that feels like a warm hug from a beloved relative. (author’s note) (Picture book. 4-8)Pub Date: June 20, 2023
ISBN: 9781534445369
Page Count: 40
Publisher: Atheneum
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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