Thankfully for readers, Guibert promises a prequel volume on Cope’s childhood in California, in testament to “the...
This epic graphic memoir spans oceans and generations, with a narrative as engrossing as the artistry that illustrates it.
In his preface, renowned French graphic novelist Guibert (co-author: The Professor’s Daughter, 2007, etc.) explains the bond he shared with the much older Cope, who had served as an American soldier during World War II and left his native country to return to France in the aftermath. “He spoke well; I listened well,” writes Guibert. “Save two or three, his anecdotes were nothing spectacular. They evoked only very remotely what movies or books about the Second World War had taught me. Still, I found them captivating, because of the accents of truth they contained. I could literally see what he was describing.” Now the American reader can as well (the first volume of the collaboration was initially published in France in 2000, the year after Cope’s death). As the title suggests, this is one man’s war memories, filled not with tales of larger-than-life heroism but with the chance encounters, tragic absurdities and small kindnesses experienced by a sheltered young soldier of uncommon intelligence, as recollected by an older man who has come to take stock of his life and reconsider the values by which he has lived it. He comes to question himself, his country and humanity in general, while retaining a humanitarian warmth and a deep appreciation for the arts. The narrative voice is captivating, and the black-and-white illustrations are often stunning, whether capturing the grandeur of Big Sur and the giant redwoods of California or showing the destruction of European villages by soldiers who shared a common bond of humanity with the civilian “enemy.” The Veteran’s Day publication befits a volume that underscores the resonance and legacy of war.
Thankfully for readers, Guibert promises a prequel volume on Cope’s childhood in California, in testament to “the storyteller in him that I was drawn to—his personality, his style, his voice, and his astounding memory.”Pub Date: Nov. 11, 2008
ISBN: 978-1-59643-096-9
Page Count: 336
Publisher: First Second/Roaring Brook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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