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SARDINE IN OUTER SPACE 3

Doughty young Sardine and her cohorts continue to vanquish hilariously dopey Supermuscleman, mad scientist Doc Krok and other villains in nine more or less independent new adventures that range from helping out a crowd of cartoon characters angrily protesting because they’re so lamely drawn (“Hey! You could at least draw me some pants!”) to rescuing acres of stolen French fries and herds of wild “Burgeegies” in the mouthwatering kingdom of Yummy. Presented in colorful, crowded cartoon panels and well-endowed with both self-referential comments (“Comics are cool but we only get 10 pages per story . . . A movie’s longer, so we’d have more time to kick Supermuscleman’s butt”) and characters with names like Emailia and Fetcher Bone, this expert mix of action, gross humor and clever side remarks will, despite the lack of a cohesive plot line, draw carloads of Captain Underpants graduates. (Graphic fantasy. 8-11)

Pub Date: April 1, 2007

ISBN: 1-59643-128-8

Page Count: 112

Publisher: First Second/Roaring Brook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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THE LEMONADE WAR GRAPHIC NOVEL

A classic sibling rivalry tale that still satisfies to the last drop.

In this graphic novel adaptation of Davies’ 2007 book, hurt feelings propel an intense business battle.

Fourth grader Evan can’t stand the thought of his brainy younger sister, Jessie, skipping a grade and joining his class this fall. Intelligent but emotionally immature, Jessie sometimes misses social cues and wishes she could be more like the gregarious Evan. These insecurities set the stage for a contest to see who can raise the most money selling lemonade this summer. Will Jessie’s book smarts beat Evan’s people skills? The beauty of this story lies in how each sibling’s strengths rub off on the other: Evan brushes up on his math, while Jessie tentatively makes a new friend. De la Vega’s polished cartoon artwork creatively translates Davies’ metaphors to a visual medium. When the author compares the “mean words inside Evan…fighting to get out” to bats, illustrations depict the furry animals emerging from beneath his shirt; Jessie’s negative thoughts take the form of a tiny purple creature irritatingly tapping her shoulder. Tender scenes depict flashbacks of the siblings supporting each other through their parents’ divorce. The book has business savvy to match the emotional beats (each chapter opens with an entrepreneurial definition that relates to the plot), and several scenes feature math problems that readers can solve for themselves. Evan and Jessie appear white; both have friends of color.

A classic sibling rivalry tale that still satisfies to the last drop. (business tips) (Graphic fiction. 8-10)

Pub Date: April 29, 2025

ISBN: 9780063310407

Page Count: 208

Publisher: Clarion/HarperCollins

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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