After a promising start, this autumnal offering ultimately disappoints.
Change is on the horizon for a trio of leaves at home in the branches of various trees in a park.
When the air grows chilly, Birch, Oak, and Maple all experience different emotions. Birch is optimistic and expectant, Oak is cautious and reluctant, and obstinate Maple feels left out as the other leaves change colors but she doesn’t. Illustrations rendered in acrylic gouache, colored pencil, and collage depict endearingly anthropomorphized leaves, with autumnal colors that pop. As the leaves learn more about fall from a pair of knowledgeable squirrels, Maple’s slow change to red is overshadowed by her impatience to join her friends. It’s only when she pulls herself free that she learns about the downside of fall—namely, the bottoms of boots, rain gutters, and rakes. Much like the shift from the bright crisp early days of autumn to the damp cold ones later in the season, it’s here that the story changes, going from a surprisingly nuanced examination of growth to something fluffy and less interesting. A young girl with straight black hair and tan skin finds the fallen leaves and takes them home, where she draws them as anthropomorphic characters, and all discussion of the importance of change is lost. Caregivers looking for a springboard to a discussion about growing up and the uncertainty of change may find this useful, but its sputtering ending detracts from its early momentum. Maybe next year will bring a more promising crop of leaves. (This book was reviewed digitally.)
After a promising start, this autumnal offering ultimately disappoints. (Picture book. 6-8)Pub Date: Aug. 2, 2022
ISBN: 978-0-358-41945-7
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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