by Eno Raud ; illustrated by Priit Pärn ; translated by Adam Cullen ‧ RELEASE DATE: June 11, 2019
Noodlehead stories are perennially entertaining, but better collections exist.
Wise men become fools to escape excessive demands in this Estonian import.
The male Gothamites of Turkeyland, renowned for their wisdom, travel extensively, advising foreign heads of state—while their homeland, run by the womenfolk, falls into chaos. The desperate women plead for them to return, and upon doing so, the men decide that they must behave stupidly so their services will no longer be desired outside of Turkeyland. Ten short stories follow in the best noodlehead folklore tradition: A group of fools with tangled legs cannot get up because they don’t know which feet are theirs; another one attempts to catch light in a sack. The richly colored, Brueghel-like illustrations feature intricate, comical scenes of the Gothamites in all their splendid incompetence (and cheekily tuck in a hammer and sickle). In keeping with the sexism of the text, the big-bosomed and -bottomed women are clad in slip dresses even in the dead of winter; the men are modestly attired. Turkeyland seems to be Northern European, and all characters appear white apart from one black boy wearing a sweatsuit. The lengthy text and small-scale illustrations make this suitable for independent reading or one-on-one sharing. It may appeal to readers who enjoy the absurd and the slapstick, although many stories feel too long, diluting the impact of the humor—the printing of page numbers upside down underscores the loopiness.
Noodlehead stories are perennially entertaining, but better collections exist. (Picture book. 6-10)Pub Date: June 11, 2019
ISBN: 978-1-939810-28-1
Page Count: 44
Publisher: Elsewhere Editions
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Adam Lehrhaupt ; illustrated by Magali Le Huche ‧ RELEASE DATE: Sept. 12, 2017
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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