by Eoin Colfer ‧ RELEASE DATE: May 2, 2013
Colfer’s work is entertaining and expertly judged. His terse, muscular prose makes even a car chase seem like a new idea,...
This comic thriller sends a hard-luck New Jersey club owner tumbling through a mad, mad world of assorted nuts.
When Dan McEvoy, who debuted in Colfer’s Plugged (2011), awakens at the start of this second, often wacky installment, he’s cozied up to Sofia Delano, who’s on the lam from her abusive husband, Carmine. Bipolar, schizophrenic and heavily medicated, Sofia sometimes thinks Dan is Carmine. But she’s beautiful and they’ve swooned over Amelie, so Dan stays by her side. He leaves her momentarily, though, when he’s called to task by Mike Madden, the Irish boss of Cloisters, the New Jersey village where McEvoy runs a dumpy club called Slotz. Madden had assigned Dan and a friend to guard his mother, so when the mother dies after lightning strikes her ski pole on the slopes, they’re in big trouble. But Madden says McEvoy can absolve himself by delivering a package of bearer bonds to a guy named Shea in SoHo. En route to Manhattan, McEvoy is detained by two cops, who cuff and then taser him. A resourceful McEvoy shakes them by deftly wielding a large dildo (don’t ask). Gathering his wits over French toast at Norma’s in Manhattan, McEvoy encounters his grandfather’s fourth wife, Edit Vikander Costello, who brings the alarming news that Evelyn Costello, his mother’s baby sister, is missing. McEvoy heads to Shea’s SoHo lair, convinced he’s stepping into a setup. A tricky chase ensues with McEvoy rivaling Bob Hope’s speed at rapid-fire wisecracks. McEvoy, however, is not entirely flippant. Among his frequent digressions are biting, unsettling memories of home life, including one trenchant passage in which he is handed a copy of The Fountainhead. At McEvoy’s core is a melancholy soul who believes “[t]he Universe cannot suffer happiness for long….”
Colfer’s work is entertaining and expertly judged. His terse, muscular prose makes even a car chase seem like a new idea, and his McEvoy is a durable raconteur.Pub Date: May 2, 2013
ISBN: 978-1-4683-0170-0
Page Count: 288
Publisher: Overlook
Review Posted Online: April 28, 2013
Kirkus Reviews Issue: May 15, 2013
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by Eoin Colfer
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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45
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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