A compact, harrowing story of a vengeful curse unleashed.
In Bills’ novella, a small town’s racist past demands a reckoning.
Billy Dunphee, sheriff of the county that contains the tiny town of Harkin, Texas, is called to investigate a mysterious event: Edna Jenkins, calling from Troup, an even smaller town, is alarmed because something bizarre has happened to her grandfather, Tieg Bertram, who has only recently returned to the Harkin area. When Sheriff Dunphee arrives, he finds a pile of ashes on a bed (“I don’t mean to be indelicate, but I have to ask,” Dunphee says to Edna. “You didn’t do this, did you?”). Strange as it seems, Bertram appears to be the victim of spontaneous combustion. Sheriff Dunphee is still reeling when he mentions it to local diner owner Nat, who gives him another surprise: Bertram had been part of a horrible crime a generation ago, when seven young Harkin men lynched a Black man named Pettigrew Smith—on the damning accusation of Dunphee’s own grandmother. “Harkin wasn’t big enough for secrets,” Dunphee believed, but now, “he suddenly felt like he had no idea where he was from or who the people he grew up with were.” A seemingly impossible threat is stalking the surviving participants in that long-ago crime, with Sheriff Dunphee caught in the middle. From this fraught premise, Bills crafts a very effective thriller that adroitly doubles as a meditation on the region’s blood-drenched racial history. (“The game went on and on,” Nat tells Dunphee. “White folks just kept going, running up the score – and black folks just kept on dyin.’”) In quick, deft strokes, Bills crafts a believable cast, ratchets up the tension, and provides a thoroughly satisfying twist at the end of the tale. This short, powerful story is first-rate, thinking person’s horror writing.
A compact, harrowing story of a vengeful curse unleashed.Pub Date: Aug. 14, 2023
ISBN: 9798218252229
Page Count: 86
Publisher: Self
Review Posted Online: Sept. 25, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Review Program: Kirkus Indie
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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