A compelling, if disjointed, survey of contemporary Texas politics.
A veteran Texas journalist and political commentator compiles his recent columns and editorials in this excoriating anthology.
“Texas is now a joke,” writes Bills, who laments that the Lone Star State has become “synonymous with shameless cretins, imbeciles, sexist morons, or chauvinist losers.” As a once-proud Texan, the author recalls that it was not so long ago that the state “used to be the exception” in the South, having elected a liberal Democratic governor (Ann Richards) and the nation’s first Black congresswoman from the South (Barbara Jordan). As long ago as 1925, Texas boasted the first state Supreme Court composed entirely of women. But the state that produced national treasures from Willie Nelson and Janis Joplin to Walter Cronkite and Dan Rather is now, per Bills, “a laughingstock,” best known for its reactionary politicians like Ted Cruz, John Cornyn, and Greg Abbott. A seasoned freelance journalist, the author has dedicated much of his recent writing career to speaking out against the direction his state has taken through editorials and columns published in the Fort Worth Weekly and other local periodicals. In this collection of 25 pieces, mostly written since 2021, he tackles Texas’ “despicable and dangerous” political climate, which, he observes, has led the nation in policies that include government-mandated censorship of libraries, a statewide ban on abortion (even for victims of sexual assault), and a xenophobic immigration policy. As the author of multiple books on Texas history and politics, Bills is a keen observer of state government and supports his well-argued editorials with more than 50 research endnotes. Taken individually, each chapter is consistently thought provoking, providing a concise, effective, and alarming introduction to Texas politics—but the work could have used a more thoughtful structure. While loosely organized by theme, the chapters often jump timelines and topics. Bills’ engaging writing style blends accessibility with learned analysis, and his text is accompanied by full-color photographs, historical paintings, and other images. An appendix featuring the manifesto of El Paso mass shooter Patrick Crusius offers a frightening reflection on the link between rhetorical and physical violence.
A compelling, if disjointed, survey of contemporary Texas politics.Pub Date: Jan. 22, 2024
ISBN: 9798218342722
Page Count: 178
Publisher: Self
Review Posted Online: April 4, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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