by Eric A. Kimmel ; illustrated by Steve Brown ‧ RELEASE DATE: Aug. 1, 2019
Purists may be puzzled at first, but readers will find themselves loving these Chelmites.
This book of folktales has a message, and it may not be inspirational: Anyone can be a Chelmite.
Many people know the origin story of Chelm. As Kimmel puts it: “God called the angels and said to them, ‘Take these sacks and spread the souls [inside] throughout the world.’ ” But a sack of fools tore open in transit, and they all landed in the same village. Kimmel’s Chelmites are a very diverse group. He writes: “Some readers may be surprised to encounter a woman rabbi and people of color in a Chelm story. That would have been highly unusual in Eastern Europe of the time, and the original Chelm stories reflected their time. So should ours.” Brown’s drawings make the wide variety of characters instantly lovable in just a few lines. The author embellishes the stories in ways that might startle people familiar with more-traditional versions. These Chelmites tore the sack themselves, clamoring to see where they were going. Some passages appear to be brand new. The Chelmites say morning prayers at all times of day or night, in case they get snowed in at daybreak. This leads the rabbi to make a truly lovely speech: “God always hears our prayers, no matter when we say them. And the beautiful snow is a blessing from Heaven, so why not enjoy it?”
Purists may be puzzled at first, but readers will find themselves loving these Chelmites. (Folktales. 4-7)Pub Date: Aug. 1, 2019
ISBN: 978-1-68115-548-7
Page Count: 96
Publisher: Apples & Honey Press
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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by Suma Subramaniam ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Oct. 11, 2022
Visually appealing but doesn’t capture the spirit of namaste.
What does it mean to say namaste?
This picture book attempts to explain this traditional, formal greeting used in South and Southeast Asia to welcome people and bid them farewell—in particular, as a way to show respect to elders. A child with dark hair, dark eyes, deep-brown skin, and a bindi on their forehead goes to a market with their caregiver and buys a potted plant to give their lonely, lighter-skinned neighbor. Vibrant, textured illustrations depict a blossoming friendship between the little one and the neighbor, while a series of statements describe what namaste means to the child. However, the disjointed text makes the concept difficult for young readers to grasp. Some statements describe namaste in its most literal sense (“Namaste is ‘I bow to you.’ " “Namaste is joining your palms together”), while others are more nebulous (“A yoga pose. A practice.” “Namaste calms your heart when things aren’t going right”). The lack of backmatter deprives readers of the cultural context and significance of this greeting as well as knowledge of the countries and cultures where it is used. Moreover, the book doesn’t convey the deep respect that this greeting communicates. The absence of culturally specific details and the framing of namaste as a concept that could apply to almost any situation ultimately obscure its meaning and use. (This book was reviewed digitally.)
Visually appealing but doesn’t capture the spirit of namaste. (Picture book. 4-6)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-1783-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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