A humorous adaptation of a Spanish story similar to Verna Aardema's retelling of The Riddle of the Drum (1978, o.p.), although Kimmel (Onions and Garlic, 1996, etc.) cites Ruth Sawyer's Picture Tales from Spain as his source. The king of Spain insists that a louse that has bitten him must be treated royally, since it now has royal blood. The indulged insect grows to an enormous size, and when it dies, the king secretly has a guitar fashioned from its carcass. He invites all and sundry to guess the marvelous substance of which his guitar is made, offering marriage to one of his daughters as the prize. A peasant ventures to Madrid to try his luck, and a flea he has befriended solves the mystery. Each of the three princesses, horrified at the prospect of having to marry the peasant, bribes him not to choose her, and he departs with immense treasure and a strong mule (more valuable than a lazy princess). The flea remains at court, working his way up the ranks until he can bite the king. Kimmel's retelling, with judiciously chosen details, is good for reading aloud to kids who relish a bit of grossness in their story- hour diet. Rayevsky's boldly outlined illustrations are as earthy as the tale. (Picture book/folklore. 6-10)
Pub Date: May 15, 1997
ISBN: 0-8234-1299-7
Page Count: 30
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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