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CHARLIE PIECHART AND THE CASE OF THE MISSING PIZZA SLICE

From the Charlie Piechart series

Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way

Pizza night brings a mystery, and plenty of math, to the Piechart household.

Charlie’s family of five is joined by his friend Lewis, which means that if they order a large pizza, each of them will get two slices. But can they agree on toppings? Four-sixths want nothing to do with veggies, and no one wants anchovies. Pepperoni it is. But between the pizza’s arrival and its serving, one piece has gone missing. Charlie goes into full detective mode (his dog is even named Watson!) and hunts for clues, then turns to his five suspects…though maybe he should include one more. Comstock and Sadler give readers plenty of exposure to fractions in both written and pie-chart form: fittingly, Charlie’s body is a round pie chart that changes to reflect the math around him. The authors find sneaky ways to seamlessly add more and more fractions to the tale while at the same time upping the humor: Charlie has his sisters do the burp test to see if they are guilty. Debut illustrator Comstock’s digital artwork is a retro-modern throwback, from the red, white, mustard, and turquoise palette to the asterisk designs on the plates and the furniture shapes.

Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way . (Math picture book. 4-8)

Pub Date: Sept. 1, 2015

ISBN: 978-0-06-237054-9

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 22, 2015

Kirkus Reviews Issue: July 15, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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