by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock ‧ RELEASE DATE: Sept. 1, 2015
Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way
Pizza night brings a mystery, and plenty of math, to the Piechart household.
Charlie’s family of five is joined by his friend Lewis, which means that if they order a large pizza, each of them will get two slices. But can they agree on toppings? Four-sixths want nothing to do with veggies, and no one wants anchovies. Pepperoni it is. But between the pizza’s arrival and its serving, one piece has gone missing. Charlie goes into full detective mode (his dog is even named Watson!) and hunts for clues, then turns to his five suspects…though maybe he should include one more. Comstock and Sadler give readers plenty of exposure to fractions in both written and pie-chart form: fittingly, Charlie’s body is a round pie chart that changes to reflect the math around him. The authors find sneaky ways to seamlessly add more and more fractions to the tale while at the same time upping the humor: Charlie has his sisters do the burp test to see if they are guilty. Debut illustrator Comstock’s digital artwork is a retro-modern throwback, from the red, white, mustard, and turquoise palette to the asterisk designs on the plates and the furniture shapes.
Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way . (Math picture book. 4-8)Pub Date: Sept. 1, 2015
ISBN: 978-0-06-237054-9
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
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by Anne Miranda ; illustrated by Eric Comstock
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Oct. 15, 2019
Haphazard but jolly enough for one outing; it probably won’t last for more.
A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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More by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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