Fairy tales and realistic studies happily coexist in this elegant collection.
Eight stories about a variety of women from French playwright/novelist Schmitt (Monsieur Ibrahim and the Flowers of the Koran & Oscar and the Lady in Pink, 2004, etc.).
Several start with intriguing puzzles. Who is the old woman repeatedly breaking into Odile’s Paris apartment? (The answer in “The Intruder” sheds an imaginative light on sickness.) What is the secret at the heart of Isabelle’s apparently successful marriage, and why should it begin to unravel at her hairdresser’s (“Every Reason to be Happy”)? The title story’s question is in a class of its own. The setting is a Soviet-era women’s re-education camp in Siberia. The new arrival, Olga, has a wild tangle of hair: Why is that so important? All the women long to communicate with their faraway daughters, and it’s deeply moving that the most ordinary among them hits on the perfect solution, revealed only in an epilogue. Schmitt’s tales echo Maupassant’s with their lean narratives, surprise endings, mordant humor and psychological acuity. That humor and acuity sparkle in “A Fine Rainy Day.” Hélène is a perfectionist and a malcontent; Antoine sees only the good. Their marriage is counterintuitive, yet it works. The eponymous “Odette Toulemonde,” a humble Belgian shop assistant, is the devoted fan of a potboiler novelist with big problems. Odette shows him the way out, moderating a meeting with the novelist, his publisher and his difficult wife. Even the slighter stories have their charms. A touring actor returns to the Sicilian village where, years before, a beautiful young woman invited him to a fabulous restaurant and then to her bed (“The Barefoot Princess”). A discarded mistress picks the wrong target for her revenge in “The Forgery,” which features a Picasso, while an old beach bum’s really bad paintings fetch big bucks in “Wanda Winnipeg”; the world’s wealthiest woman is repaying, finally, her first lover.
Fairy tales and realistic studies happily coexist in this elegant collection.Pub Date: Aug. 1, 2009
ISBN: 978-1-933372-74-7
Page Count: 192
Publisher: Europa Editions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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