A well-balanced comic tale that deftly grapples with larger contemporary themes.
In this debut novel, a pair of brothers weathers the changing fortunes of a failing New England town.
Pennacook, Massachusetts, has seen better days: “What they’d soon call the Great Recession had just unmasked itself to the world, but it seemed to have gotten a head start here.” The depressed mill town’s affordability is why Ray Markham chose to settle there five years ago, after his parents were killed in a car accident and the recent high school graduate became the legal guardian of his younger brother, Patrick. Since then, Ray has worked at the deli counter of the local chain grocery store, Bounty Bag, while Patrick has made his way through the town’s not-so-good public school system. Bounty Bag happens to be the largest employer and the primary landowner in Pennacook. (The chain may also be partially responsible for the town’s substantial population of wild boars.) Dr. Regina Chong, principal of Patrick’s high school, is supporting a referendum to override the local tax cap to fund a desperately needed new school building, but for her plan to work, she needs to spur voter turnout among the generally disengaged electorate. Her scheme is thrown into jeopardy when a management shake-up at Bounty Bag—and the resulting push for automation—inspires the workers to rise up in protest. Meanwhile, 16-year-old Patrick has been getting into trouble, showing up to track practice drunk, dyeing his hair electric blue, and “running away” to stay in a friend’s basement. While Ray navigates the changing landscape of Bounty Bag with his colorful co-workers—odd characters like Muscles Carbonara, Toothless Mary, and The Alfredo—Patrick learns a bit of American history from his terminally ill teacher Mr. Grant, who helps him put the instabilities of capitalism and democracy in perspective. Can the Markhams manage to stay afloat, even if Pennacook itself is going down?
Giroux’s prose is reminiscent of Richard Russo’s writing: intricate and incisive, though always full of warmth and humor. Giroux particularly shines when chronicling the rules and rule breakers of Bounty Bag: “Every law and the Bounty Bag Code were against Toothless Mary’s smoking in Deli, but before the store opened she did it anyway and left her hair unwrapped too. During business hours, she smoked on the Golden Mile, the long, wide lane out back used for trash and Deliveries. Sometimes she returned from the Golden Mile with little pieces of garbage attached to her.” The author ambitiously sets out to say something about the state of the contemporary American town, subject to the whims of corporations, distracted voters, and shortsighted politicians. He manages to achieve that goal without drifting too far into didacticism or oversimplification. The characters are believable even as they are peculiar, and readers will have no trouble sympathizing with their various attempts to stay employed—or simply to remain sane. Patrick is a particularly well-drawn figure. Readers will not regret their time spent in Pennacook and will likely keep an eye out for whatever lighthearted dramas Giroux puts his pen to in the future.
A well-balanced comic tale that deftly grapples with larger contemporary themes.Pub Date: Aug. 11, 2020
ISBN: 978-1-73422-400-9
Page Count: 290
Publisher: New Salem Books
Review Posted Online: July 10, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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