by Eric James ; illustrated by Marcin Piwowarski ‧ RELEASE DATE: Aug. 1, 2017
Polar Express it ain’t. Skip.
A Polar Express–esque Halloween train ride tailored to Texans.
While out trick-or-treating, the first-person narrator (a pirate in bandanna and eyepatch) and their best friend (a blond-bobbed superhero) are startled when a train on misty tracks descends from the sky. They board for a ride on the Spooky Express. The other passengers include a mummy, a ghost, Frankenstein’s monster, a giant spider, a dragon, and a witch. Once on the train, it’s never clear where the train is going, though several Texas cities and sites are mentioned in the rhyming verses, a subway-line–like map is on the wall (those cities aren’t visited, though), and several Texas landmarks can be spotted through the windows. Ultimately, the two children must save the whole train when the engineer’s head, a pumpkin in which he keeps his brain, falls off his shoulders and must be recovered from Sam Houston Park. Then, it’s back home again. While the rhymes are no great shakes, they do scan well, save one verse that rhymes train with again. Piwowarski’s illustrations use green, purple, and orange to play up the Halloween theme, and there is nothing too frightening for young readers. Both children appear to be white, as do all other human and humanoid characters with one exception. A map of the state is sadly lacking. This Texas edition is one of 78 in the series, covering the 50 states, 18 U.S. and four Canadian cities, and two provinces, among other locales.
Polar Express it ain’t. Skip. (Picture book. 3-8)Pub Date: Aug. 1, 2017
ISBN: 978-1-4926-5314-1
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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More by Eric James
BOOK REVIEW
by Eric James ; illustrated by Marina La Ray
by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Alastair Heim ; illustrated by Michelle Tran
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by Alastair Heim ; illustrated by Sara Not
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by Alastair Heim ; illustrated by Matt Hunt
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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