A sobering, saddening but altogether excellent book of legal reportage.
Evenhanded study of justice blindfolded by “a broad, omnipotent reading of the president’s wartime authority.”
There is some chicken and some egg in the question of why and how America embarked on the war on terror: Was Bush intent on going to war precisely in order to expand that authority, or did the authority necessarily expand to cover the comprehensive engagement of that war? Helen Thomas, the near-legendary correspondent and gadfly, has suggested the former, observing that she had never seen anyone so determined to go to war. Pulitzer Prize–winning New York Times correspondent Lichtblau—who was the Los Angeles Times Justice Department reporter at the time of 9/11—seems less sure. However, his account of executive power begins with a stern warning—as it happens, from the chief of the Immigration and Naturalization Service at the time—that the Constitution prohibits much of the domestic program of the Bush administration, which for its part had been arguing from even before 9/11 that individual liberties, the Bill of Rights and other such legal provisions were mere niceties, disposable in the fight against the homeland’s enemies. The press fell into line, Lichtblau observes, burying important stories about the law writ large, on drugs and inner-city violence and other concerns, in the interest of secrecy. One story that was so buried, he charges, concerned the “unusual arrangements that the Secret Service had made allowing one of President Bush’s underage daughters—Jenna Bush, then nineteen—to make a bar-hopping trip south of the border”—and that less than a week before she was to appear in court in Texas on a charge of underage drinking. That was a trivial operation compared to others engineered by the administration, from the Valerie Plame affair to illegal wiretapping and financial investigations to the “324-page legislative grab bag” that was the Patriot Act, all of which Lichtblau visits in careful detail, recording the administration’s relentless protests that making any such efforts public was tantamount to working for al-Qaeda. Even conservative legislators, Lichtblau writes in closing, now reject that sham excuse.
A sobering, saddening but altogether excellent book of legal reportage.Pub Date: April 1, 2008
ISBN: 978-0-375-42492-2
Page Count: 384
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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