A kid-friendly companion to Michael Pollan’s Food Rules (2011).
Continuing the food themes from his picture-book illustration debut in Jacqueline Briggs Martin’s Farmer Will Allen and the Growing Table (2013), Larkin here makes his authorial debut.
In 40-plus energetic poems, Larkin celebrates the good and decries the bad in the food world. Though individual poems might seem like amuse-bouches by themselves, they add up to a full meal, and the volume as a whole serves up a lively conversation about food. The collection takes a few jabs at the food industry. One poem laments the “small food desert in Harlem,” and another describes Ashley, who will only eat foods she can spell (and therefore can’t eat bread that contains azodicarbonamide). Grampa complains that there are “[t]oo many people touching my food” (referring to packers and shippers, processors and pickers, inspectors, store guys and baggers). It also encourages planting gardens, eating meals together and enjoying good food such as noodles: “Twirl them, whirl them, / slop them, slip them, / twist them, curl them, / whip them, flip them.” And if the poems’ rhythms don’t always roll off the tongue as easily as those noodles slide off a fork, the overall effect of the poetry and the mixed-media, graffiti-style art (inspired by Jean-Michel Basquiat) is exuberant: “Where there is food, there will be laughter (and crumbs).”
A kid-friendly companion to Michael Pollan’s Food Rules (2011). (Poetry. 10-16)Pub Date: Oct. 24, 2014
ISBN: 978-0-9836615-5-9
Page Count: 96
Publisher: Readers to Eaters
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heartfelt portrait of the complexities of grief and the indomitable human spirit.
In the Newbery Honor–winning author’s latest, a Harlem teen copes with overwhelming pain while learning how to open up.
Sage’s 13th birthday was the worst day of her life; it was the day her best friend, Angel, was killed after a hit-and-run. In the wake of Angel’s death, Sage takes part in grief counseling with four other students; she connects with Ebony and DD, whose losses were sudden as well. Sage grapples with conflicting emotions, but the person who could help her sort them out is gone forever, leaving her convinced it was her fault. She wishes her life had concrete answers, like the math problems she enjoys. Instead, new friendships and a possible romance raise more questions. Finally, all her pent-up anger and sadness spill over, and Sage can longer hold in her feelings. Much to her surprise, speaking honestly helps lift the veil of sadness and sets her on a path toward healing. Watson has crafted an achingly beautiful novel that masterfully captures the realities of loss—the constant reminders of what life used to be like, the guilt that haunts Sage, and the anguish of “talking about someone you love in past tense.” Sage’s voice, rendered in a mix of prose and free verse, is visceral and wholly authentic, while the supporting characters are also richly and fully realized. Characters are cued Black.
A heartfelt portrait of the complexities of grief and the indomitable human spirit. (author’s note, resources) (Verse fiction. 10-14)Pub Date: Feb. 4, 2025
ISBN: 9781547605897
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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